The project began with the photographic observation of urban structures over several years.

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What initially appears documentary gradually shifts:
the focus moves from detail to architecture itself.

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The starting point is real high-rise facades —
in their original colors, without filters or retouching.

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In the next step, these photographs are digitally multiplied and layered.
In some works, up to one hundred identical images are superimposed,
each slightly shifted.

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Through this controlled repetition, a process of condensation emerges:
the clear order of the architecture begins to oscillate.

Grids turn into rhythms, surfaces into dynamic structures.

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The photographic subject remains visible, yet is translated into a new visual system.

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The works move between documentation and construction,
between real surface and image space.